‘Maqbool’ was the first installment of Vishal Bharadwaj’s unofficial Shakespearean trilogy that was followed by ‘Omkara’ in 2006 and ‘Haider’ in 2014. The film was widely praised for its realistic depiction of mafia gangs and overall dark tone that was unusual for its time in Indian cinema. It stars popular actors Ajay Devgan, Manisha Koirala, Vivek Oberoi and also features the legendary South Indian actor Mohanlal in a special appearance as a Police officer. Set in the slums of Mumbai, the film follows a young man who rises to the top of Mumbai’s feared underworld gang. I mean the man made one of the most iconic gangster films of Indian cinema for Christ’s sake! ‘Company’, in many ways, could be considered as a spiritual sequel to ‘Satya’ and is part of RGV’s gangster film series. And back then he sure was a master of his craft.
There was a time when Ram Gopal Verma knew his stuff.
Set in modern day Rajasthan, the film follows a young, naive, idealistic law student who gets entangled in the politics of the state while discovering his own identity and the disturbing truths of a society repressed by the very forces that dictate its moral values.
The film had a few production issues and was stalled for 3 years before Zee Limelight helped with the release in 2009. Back in 2009, Kashyap wasn’t the star that he is today and was struggling with his experimental endeavors which never really sat well with mainstream Indian audiences. A brilliant and provocative work of art.Īnurag Kashyap’s uncrowned masterpiece is possibly one of the most underrated Hindi movies of all time. It is scary world that Jha creates, infused with a sense of realism and urgency previously unseen in Indian cinema. Set in an unspecified time frame when incessant female infanticide has left a rural Indian society without women, ‘Matrubhoomi: A Nation Without Women’ follows a patriarchal and misogynistic father in his attempt to find a bride to satisfy the lust of his four sons. The writing is sharp and whilst the film tends to loosen its grip on the narrative at places, the performances eclipse the minor hiccups which ultimately make for an incredibly satisfying experience.Ī movie even most Indians might have not heard about which is quite a shame because this Manish Jha directed flick is one of the most shocking and disturbing films we have ever seen. Huma Qureshi, Irrfan Khan and Arjun Rampal are absolutely brilliant but good old Rishi Kappor steals the show with a ferociously intense performance as a ruthless mafia don. The film follows a team of highly trained intelligence officers who are on a mission to nab one of India’s most wanted terrorists. It had a vision (unusual for a Bollywood film) and was pretty shrewd in its tackling of the subject. ‘D-Day’ was a film that caught me completely off-guard. It’s a must watch for those who enjoy a bit of melodrama and romance with a wonderful soundtrack that captures the spirit of the city in all its beauty and flaws. It features an ensemble cast that includes some of Indian cinema’s most accomplished stars and several other young talents. The film depicts the lives of several young people who struggle with their own personal conflicts and heartbreaks in the city of Mumbai. The musicals, the melodrama, the romance, the comedy and most of all, Mumbai, a city I am deeply attached to underneath all my cynicism. ‘Life in a… Metro’ perfectly embodies everything I secretly love about Bollywood. We DO NOT take any responsibility of copyright infringement claims.
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